Tuesday, February 16, 2016

MEDIAL EROS: A Cautionary Tale

The Marriage of Cupid & Psyche, Pompeo Batoni, 1756
image in public domain see wiki



















BETWEEN SEA AND WINGS

How my psyche has sort its see’d
where the god had intercourse with her.
                       ***

How an intervention like this
every psyche will have had to perform

unsowingly ―
a kind of knowing

And the god
displays this ― twoness

―this
psychic reality wing-like
                  ***

Aphrodite works in the myth
to keep Eros and Psyche apart

sending the soul to death
―yes, to death and where

what death wants with soul
leads every psyche alone into the alone.

Waiting there is a gift
beautifully boxed

(makes me think, “pandoran”) psyche
opens it and her “self” anoints.

Some say the divine Miss A
works that way

to keep Psyche & Eros apart
but, I don’t know.
                  ***

There’s an old story about
the wings Aphrodite gives Eros

she had given first to her
playmate in the sea see

hoping to coax “him” to come
to celestial Oulympos[i]

where to she
withdrew

when Nerites refused, she left
and took those sea-wings, too.

The myth says she gives
those wings to Eros

And the god
displays this ― twoness

―this
psychic reality wing-like

I think that is
what Aphrodite wanted

for her playmate psyche
sorting its’own see’d

she wanted to guide
Psyche to where in her psyche

this fluid reality comes
together like sea-wings

neither on earth
nor in heaven



©2016 Tutelary Eros & Psyche stephaniepope mythopoetry.com



[i] World Time.  Olympos or Oulympos as the name is also spelt was probably identified with Kronos (Time), the father of Zeus, and plays a similar role. In a Greek description of the Phoenician cosmogony by the writer Mochos, a primeval god named Oulomos (World-Time) (cf. the name Oulympos) is born to Aither (the Light of Heaven). 

Saturday, February 13, 2016

BETWEEN LEAVING AND LEAVES, YOUR VALENTINE

Bronze Cupid Sleeping On A Lion Skin (1635–40)signed F, based on
the marble attributed to Praxiteles. 
Photo courtesy of Wikipedia Loves Art
participant "va_va_val"  
[CC BY-SA 2.5 (http://creativecommons.org/licenses/by-sa/2.5)]
Wikimedia Commons



















MEDIAL EROS



O, medial heart
my sleeping eros

how quickened have I been in sight
by love forgetful that love is a set of
twins whose nature is duplicitous!

Eros, that tutelary spirit, grabbed him
my creative Psyche by her beastial tale.

If logos real does create psyche in a
mythic tale, my own myth of love
will have been first emanation

& I must now take this medial leave
to find how eros creates “me” for real.

How shall I be reborn now
in time from within
that space, making time for time
to intervene between
that erotic in-pulse & creative action,

making time for my timing to play
its part, play “for real” its own felt
sense at work between these erotic beats?

You, too?  How then shall we each set about
finding how love got us passively &
promiscuously pregnant in a tale?

It was an eros tale of a mountain tree
with a cupid’s well beneath it.

It reached high.
It reached low.
It duplicitously wailed.


There’s a long labor ahead of us.
There’s a difficult birth ahead for us.

How an unknown psychic achievement
draws my psyche away from man
way out there down here. It promises
it will have loosened the limbs of my tree;
it will have fashioned my soul in joy.

And in my left turn, the left
that in turning
leaves


©2016 A Leaving Tale:  stephanie pope mythopoetry.com

Thursday, February 4, 2016

INNER SANCTUM























VENI, CREATOR SPIRITUS  

I had a dream the other night. 
When I awakened, I took it to pen so as not to lose the felt sense the dream soul conveyed to me.  I’ve been deconstructing the felt sense and taking the dream image back into the past then forward into art to hear the story a dream dreams.  Here is my surmise.


The felt sense of the dream is sacrificial. The dream is of a dead chicken offered to the kitchen for roasting, offered in a specific way, with its breasts plumped up and leaning forward, a perfect offering, I think in the dream.


The kitchen is my alma mater, an affectionate name for where I learn the particular art of psyche-making which I practice, mythopoetics.  I have to step away briefly to meet with my poetic adviser.  When I come back, to my horror, someone has stolen the breasts of the bird!


Before retiring for the night I had been reading Russ Lockhart’s “The Final Interlude” before bedtime as well as thinking about roasting a chicken for Sunday dinner the next evening. I get as far as Russ telling the story of his daughter, Sharon’s death before I go to sleep.  In the narrative, Russ begins musing on what Death wants for the soul.  He thinks it is to lead the soul alone to the alone.
 


I, in the role of the dream ego, am able to fold the remaining parts, the legs, wings, thighs, ribcage, fat and skin back down and in on themselves causing the dream chicken to be restored to its original form except that it is a perfect miniature of the original and can fit entirely in the palm of my hand.


Missing from the dream of the missing white meat is the fire. Upon waking, I recognize in the dream a sunbird I liken to a parodars bird in the chicken, aka ‘who forsees’ the way Prometheus in the Greek myth of fire theft mimics forethought in the sacrificial trick he plays on Zeus at the banquet of gods.  The dream also leaves me with a feeling for who or what Pandora is in relation to and forever more: more than a mere chick  “relaying” within and throughout the big of man, the little king, "man the player/creator" (homo ludens) but a sacrificial vessel for soul substances and inner sanctum where, in love-making, a deep imagination peels/peals from the rosa mundi of Isis.  The dream seems to be constructing a kind of basilisk,a bird that is no bird (but a hermetic guide of souls to an underworld) shaping a basilica in miniature, temple, miniature hearth or throne room similar to a naos. Naos means inner sanctum. (For more on this imaginal life see footnote 5 a,b and c.)


Miniatures such as the naos pictured above were dug up in archeological digs.  They date back to Moabite worship and, it is suggested, belong to a temple union depicting the oneness of Yahwah and his Ashtoreth.  Moabites of antiquity are polytheists. There are no figures imaged in this miniature temple, only tracings of a double throne. 


 Both basilisk and basilica are cognate with a Greek word that translates “little king”.


 Now what might a “little death” be up to leading the soul in this magnificent dream journey the dream dreams?


Psychic substances, led to be alone in the alone, are led to their inner sanctum. So led, they are led to be embodied
 
not “flesh”.  Fleshed.  





I lay at rest, resting and dream
an emptied nest in a movable nesting
the lost world where I lay, stunned
moved by losses throughout my own
a way of knowing moves in
and, laid to rest
lets something else having pierced my breast
gotten under my skin, diminish, move away
move on.


My rest and my restless rest sweet word
sweet felt bird sense so here in hand!
Thy breasted bird returns in likeness stolen
& renders you small―_ _all not read you hold
―a cradle; your big history I feel come rest
in mine. Come then, centerless nourisher & fuse
you, who must be divine to poetize this small
word hand upholding that whole world
and days in the kitchen have blazed.

©2016 Nocturnal Making: Bird In Stolen Breast
stephanie pope mythopoetry.com


notes

1a.The image is from a dream that makes me think of an earlier poem of mine, Holiday Bird mainly because the dream bird is presented to the poet’s kitchen for cooking. In my dream I have returned to the poet’s kitchen because I have come into a large sum of money and contemplate whether I should return to school, applying some of my newfound wealth toward advanced studies. In waking life no such thing has taken place nor do I have a strong desire to literalize this imagination.  At a certain dream moment when the chicken is presented to the kitchen for roasting, it is offered with the chicken breast raised up or plumped forward and the dream me thinks, “This is a perfect offering.”  I have to leave momentarily to discuss with my poetic adviser these matters that bring me back to the poet’s kitchen.  After a few minutes I return to the kitchen to cook the chicken but to my horror someone has absconded with the chicken breast leaving only the rib cage of the bird, the legs, thighs and wings, fat, and skin intact. Nonetheless I fold these inward to fill in the absent center.  This has the effect of restoring the bird to its original form but now it is so small the entire bird fits in the palm of my hand.  Absent from the dream is not only the white meat but the fire that will cook the bird.

1b. The poem, Holiday Bird interrogates the bird holiday (Christmas) asking “how will I be red and not read?”  Upon waking, I begin to muse how a diminutive word/image/form returns such felt sense in a gap lying between the dream image and what words may and may not mean.

2. The dream seemed to sequence its statement by employing hypocorism, the use of a diminutive form to accentuate an endearment, a felt sense of tenderness and a deepening level of intimacy.  For instance, an example of hypercorism in the bird holiday story, A Christmas Carol is “Tiny Tim.”  

3. For more personal poetics developing the bird/word imagery see the following:  Holiday Bird, The Felt Sense of Birds, The Muse: Pt. 4 Poetic ExperienceGhost Flowers

4. Come Holy Ghost, Creator blest and in my soul take up thy rest. 
            –from the Catholic prayer, Veni, Creator Spiritus


5. Hermes (hermetic thinking)

The works of Hermes Trismegistus are mentioned by such classical writers as Plutarch, Tertullian, Iamblichus and Porphyry. Two of the works discovered at Nag Hammadi deal specifically with Hermetic philosophy. One records a series of conversations between Hermes and Asclepius, another is a text which some scholars believe may have been used in Hermetic mystery schools titled “On the Ogdoad and the Ennead.” Within all Hermetic teachings, Hermes is called Trismegistus or “Thrice Great” because he knows the three wisdoms of the universe - astrology, theurgy and alchemy.
(5a) astrology

 In Hermetic philosophy, astrology deals with what is termed collectively as “The Operation of the Moon.” The movements of the stars and planets have an unseen metaphysical meaning that goes beyond mere physical science.

(5b) theurgy

Theurgy, titled “The Operation of the Stars” involves the operant aligning with angels and archangels through the use of magic.

(5c) alchemy

Alchemy in Hermetic thought is “The Operation of the Sun” which attempts to purify the baser parts of one’s nature. In Hermeticism, the search for gold is a spiritual transformation within oneself rather than the quest to physically turn a base metal into gold.

see Isis, Rosa Mundi by Linda Iles, ArchDrs., Prs. H., GDC, SA


6.  "...whosoever shall give to my Parodars-bird his fill of meat shall go directly to paradise." - quote from the 
Avendidatexts of the Avesta Vedas