Showing posts with label Thanatos. Show all posts
Showing posts with label Thanatos. Show all posts

Friday, June 6, 2014

YOUR FRIEND, HENRY

Arnold Böcklin Self-Portrait of Death Playing The Violin, 1872
http://www.germanhistorydocs.ghi-dc.org/sub_image.cfm?image_id=1321 

























YOUR FRIEND, HENRY

in youth, let death talk to him improperly tuned
of the body he became folded
of the fold shaping him, wings
like a limb-loosening chisel
that delves and swings

in youth, let death talk to you improperly tuned
in cadences low; cadences
of folded life making wings
of earth that sings

©2014 stephaniepope mythopoetry.com
#ohj fold, delve


notes

1. “Friend Henry”, Freund Hein, a literary figure from medieval German art, is a personification of Death. Letting Death talk to you is seeing life from Death’s point of view of life. One must “strike a different chord” so to speak (in psychology:  see C.G. Jung and in conspectu mortis to further amplify this notion)

2. “improperly tuned”, inspired by the Arnold Böcklin Self-Portrait of Death Playing The Violin, 1872, is Gustave Mahler’s Symphony No. 4 in G Major. The second movement is a scherzo that features a part for a solo violin whose strings are tuned a tone higher than usual.

3.  [QUOTE] “By the time of his death, Böcklin was being hailed as one of the most original and creative German artists of the fin de siècle(END TIMES); and, in retrospect, it can be said that his interest in imaginary scenes, liberated from traditional forms and motifs, prepared the ground for Expressionism. That Böcklin “struck a different sort of chord” can be interpreted both figuratively and literally: according to Gustav Mahler’s widow Alma, the scherzo movement of Mahler’s Symphony No. 4 in G Major (1900) was inspired by the image of Death playing the fiddle in this self-portrait. In keeping with the spirit of the canvas, Mahler had the violin soloist play on an improperly tuned violin.” [scordatura]
see http://www.germanhistorydocs.ghi-dc.org/sub_image.cfm?image_id=1321

4.  In music and North American mythology see Charlie Daniels Band "Devil Went Down To Georgia."

Thursday, January 17, 2013

IN THE CAVE OF HYPNOS


"Hypnos"  (Dream) 1920 oil on canvas, Gyula Benczúr (1844–1920)
drinking dream
we die thirsting for
poetry



©2013 stephanie pope monsters & bugs series mythopoetry.com


notes

Around the cave of Hypnos in the underworld flows the river, Lethe―Lethe waters  the forgetful of being; Lethe, a water of concealment is also a drink of unconcealment. That is what may be meant by "dying" here. Becoming "forgetful of being" as if one is as a figure in a dream, is the giving up or giving over of the images of one's concealments and not a literal dying―Thanatos (Death) & Hypnos (Dream). It is an activating of a life-making instinct in the depths and also marks the pattern of making what makes a making-life "poetic"... the role the psyche plays in dream is that of a poet shaping "shades".

This depth duo of both Thanatos & Hypnos gives to the river Lethe another hue, a hue casting a reflection a-Lethe (a "Truth" that is an "unconcealment", something reflecting in the waters a revelation of a lively truth or the truth of one's own having lived through something.) And so, one thinks of another painting, Hypnos and Thanatos and also the dynamic duality  "myth" and "poetry" at play in psyche-making.  Is remembering soul's poetic basis of mind the recollection of a forgotten narrative in one's soul-making journey to the underworld and back? Is the "bigger other" story being told the story of a necessary sacrifice of the woman one loves but also loses  to form the woman one is and must live in living without? Is a poetry-in-itself a psyche's "poetry"? Here is one such story. You decide. Orpheus and Eurydice.