Showing posts with label April poetry. Show all posts
Showing posts with label April poetry. Show all posts

Friday, April 21, 2017

POETS OF MYTHOPOETRY: LEIGH MELANDER: TWO POEMS #guestpost #mythopoetry #NationalPoetryMonth 2017

























TWO POEMS



AND, ONE SPRING:




Spring breaks my heart

Being possible

Soothing away

The quiet lack of faith

Protecting me

From myself


A pilgrimage

Of violins and larks

Brings me back

To other springs

On a brick stoop

And praying crocus


A remembered light

To weep for

Joins me kissed

By wind breath

Wanting

Hands held out


They call it awakening

Arising, quickening

I am so afraid

Of such hoping

And such joy

Spring breaks my heart


©2007 And, One Spring Leigh Melander All Rights Retained

©2017 And, One Spring Leigh Melander mythopoetry.com

FOR DEREK WALCOTT AFTER HEARING HIM READ, “OMEROS” ONE HOT NIGHT IN AUGUST ON CAPE COD

This poem I wrote about and for Derek Walcott, and then studied with him. He just died at 87 last week (March 17, 2017), and it’s resurfaced in my consciousness.  At a pivotal moment in my life, Derek saw me as an artist, a poet, and invited me to come and study with him in Boston.  This act of kindness and of creative connection changed my life.


I heard a man speak tonight

Laurel words unfurling from his lips like

great white sails of ships

casting past the tide

and we ride out through the heat

and hear of Odysseus and his

journeys away from himself and

then back home again

where his solace waits nightly

alone in her bed

unsinging his death shroud


© 2005 FOR DEREK WALCOTT AFTER HEARING HIM READ, “OMEROS” ONE HOT NIGHT IN AUGUST ON CAPE COD Leigh Melander, All Rights Retained
©2017 FOR DEREK WALCOTT AFTER HEARING HIM READ, “OMEROS” ONE HOT NIGHT IN AUGUST ON CAPE COD Leigh Melander mythopoetry.com 



ABOUT THE AUTHOR



Leigh has an eclectic background in the arts and organizational development, working with individuals and organizations in the US and internationally for over 20 years. She has a doctorate in cultural mythology and psychology and wrote her dissertation on frivolity as an entry into the world of imagination. Her writings on mythology and imagination can be seen in a variety of publications, and she has appeared on the History Channel as a mythology expert. She also hosts a radio show on an NPR community affiliate: Myth Americaan exploration into how myth shapes our sense of identity. Leigh and her husband own Spillian, an historic lodge and retreat center celebrating imagination in the Catskills, and she works with individual and group clients on creative projects. She is honored to serve as the Vice President of the Joseph Campbell Foundation Board of Directors.

VISIT MYTH AMERICA RADIO
 
 

VISIT SPILLIAN


VISIT LEIGH AT http://leighmelander.com/



Wednesday, April 19, 2017

POETS OF #MYTHOPOETRY: ROBERT D. ROMANYSHYN: THREE POEMS #NATIONALPOETRYMONTH 2017 #NAPOMO #GUESTPOST
























THREE POEMS


JUST WONDERING
Summerland, CA.
February 17, 2017    


Is there a place
where streets have no names,
where they begin in clouds and end in thick green forests
with pungent odors of ancient beasts?

Is there a strange land
where rain falls up from the earth
and soaks the sky
with moist musings on the stars?

Or, perhaps, an invisible land where
birds beat with flying have gills to glide into the sea,
and fish fed up with swimming
have wings to wheel above the clouds?

Is there a nowhere land
where fish-birds, taking in greedy gulps of air,
and bird-fish, beaks moist with foam,
sing old fish songs from the cities beneath the sea.



EARLY SUMMER MORNINGS
Reading Mary Oliver’s book, Long Life
December 27, 2014


Was it ever necessary to be so quiet,
to dress in the quarter light of those early summer mornings,
to creep toward the door and unlatch it ever so slowly,
and close it without waking the sleepers in the house?

So young to become as if a thief or a phantom.

But to what end?

Was it the dreaming world just rousing itself from sleep ,
to dress itself in arranged and familiar patterns,
so easily passed over, as if they were always there,
concealing its daily rituals of new beginnings?

Each dawn a wonder for one who might witness
the charms of the world displaying itself—

when the trees might still decide not to be perfectly upright
and still that morning, but to wander as a shadow into the grassy green fields, or the light might choose to live that day
as a wish of being ripples of water dancing with the wind--

Rows of black ants moving to some inaudible tune,
descending and emerging from the dark caverns of earth--
Holy Mysteries!
A sly wink of the eye of God!



BEING ELEMENTAL
Asheville, N. Carolina
April 29, 2015


It was only a quick glance
From the road I was travelling
Toward the porch where a black man in a vivid blue shirt,
Flashing like a signal, was standing

Straight, still, he could have been a statue.
But he was a man, who, looking at nothing,
Was becoming the sweet smell of the morning Carolina air,
Or maybe the first drops of a soft rain falling on his fields.

A brief punctuation in the stream of passing moments!  
A thimble cup of grace pouring into the world!
A silent blessing!
Quite enough for a day.



ABOUT THE AUTHOR



Robert D. Romanyshyn is an Emeritus Professor of Psychology at Pacifica Graduate Institute. Leaning Toward the Poet: Eavesdropping on the Poetry of Everyday Life, was published in 2014. A multi media work, it contains drawings of some of the epiphanies that arise where, while lingering in the shadows, and when, in the company of the poets, the splendor of the simple moment, the miracle in the mundane, and the wonder of stray lines display themselves. He is currently completing a detective novel, The Frankenstein Prophecies: The Untold Tale in Mary Shelley’s Story/Nine Questions and Replies.


VISIT ROBERT AT

http://robertromanyshyn.com/

RECENT BOOK


Leaning Toward the Poet: Eavesdropping on the Poetry of Everyday Life




Monday, April 10, 2017

#NAPOMO #GUESTPOST APRIL #POETRY SIX POEMS by RICHARD LANCE SCOW WILLIAMS for #NATIONALPOETRYMONTH2017

























SIX POEMS


"pelts"



pelts & feathers
dead things
o my god
the thunder
says: you lit
me up then you
left me alone in the dark
or how you cannot remember
how the sea took you from shore
the dead in the streets of your heaven
suddenly underwater sign this with red seeds
with the leathery face of a madman aged in a day
the thin men in their gray mourning jackets
backs like wings of sullen angels
he did not want this distance
(but the distance knew)
the wheels turn
until only
the wisdom
of invisible light
reveals the stain of
having been the blood

removed without a longing

©2017  “pelts” Richard Lance Scow Williams  mythopoetry.com
All Rights Reserved

CARNIVAL



a sea side carnival

the gaudy against the grey

no one on the boardwalk save

a few lonely ghosts—shadows hunched—

hurrying to appointments more mundane than sinister

all the rides locked tight—the barker’s voice replaced by gull’s cry

inside the tunnels the ghouls & zombies wait for their electric trip

no screams no giggles no nervous laughter to reward a patience

of plastic steel enamel paint the peeling of their cause

we imagine murder rape assault on body & soul

but no teenage fright fest hero today—worse—

a distance—a foreboding emptiness

the waves a hundred yards away

relentlessly pulled back

©2017 CARNIVAL Richard Lance Scow Williams mythopoetry.com
All Rights Reserved

Tortoises



tortoises bleeding

eggs calcified

Ramona

reports on

her exotic

charges

how to

keep

the wild

inside a cage

without damaging

what makes the wild wild

you don’t—you adapt

you make excuses

you wince & say

this is not

the end

& you act

as if you are listening

to a voice that is so familiar

but you have heard it so often

that when the world ends

it is like you never knew

the tortoise crossing

that finish line

the hare long

given up

for dead

falling falling

into a boiling pot

black iron deep & vast

it does not matter the stars

for at that distance they are already asleep


©2017 Tortoises Richard Lance Scow Williams mythopoetry.com
All Rights Reserved

Sparkle Pony



Sparkle Pony was the name of a one-woman folk singer in the TV series Portlandia

those episodes were excruciating to watch in that they hewed close to the truth

i think of Antonio Salieri as portrayed in the movie Amadeus

of talent & near talent & no talent but ambition

an ambition to be seen as beloved

in & thru all time all space

you matter you glitter

your life is as wide

as you imagine

the depth of

all that is

fairy dust

sparkly

unicorns

magic princesses

knights in shining armor

deafening applause never ending

your name writ larger than Ozymandias

o ghosts of the nameless tell me you are

like blooms of stars to offer my small ego your coat

let me burn with you in the eternity of galaxies yet born

Sparkle Pony parades of countless knights & innumerable princesses

what matter the nature of a a burning truth

burn with me like time itself

burn burn Sparkle Pony


©2017 Sparkle Pony Richard Lance Scow Williams mythopoetry.com
All Rights Reserved

SCAR



many can wound

do wound &

pick at

the scars

& you wince

wondering what

mercy could harm

the history of abuse

my friend says

we come now

to the end

of such

things

the world

now suppurating

in wounds too many to count

more than ready to form a weaving of scars

i do not want to look away from it all

i want to rub my scars

& remember

how kind

the flesh

to love

me enough

to remind me

we live in a world

that is always ready to heal


“scar” from Helga©2015, Bite Press,available from Amazon


©2017 SCAR Richard Lance Scow Williams mythopoetry.com
All Rights Reserved

THE FIREPLACE HAS A MESSAGE



shoveling ash from the fireplace into a metal bucket to take to the garden & pour it on the frozen ground—pour it or dump or deposit it (to pour seems more sacred)—my father said ash is good for roses (he knew about the growing of roses)—there are still some glowing embers—fist-sized pieces of char—when a human is cremated bits of bone can remain—bone & teeth perhaps & nail—my father’s ashes are in a box on the nightstand next to my mother’s bed—i do not know where we’ll take them & hers when she goes—Arkansas likely—Fouke or Texarkana north off Highway 71 or 82—my father when he would pass his grandfather’s grave (on Hwy. 82) would say, “i’ll smoke a Lucky for you” & turn to me smiling, “LSMFT—Lucky Strike means fine tobacco”

cigarette ash is not as fine as the seasoned oak piƱon pine & cedar
that burns to a dust in our fireplace—bed of ashes still warm twelve
hours later—turning the bucket upside down the mountain winds
carry a cloud of the dusty ash north past the wooden garden gate—some ash still clings to my boots as i walk back thru the snow to fill the metal bucket again

©2017 THE FIREPLACE HAS A MESSAGE
Richard Lance Scow Williams
mythopoetry.com All Rights Reserved


ABOUT THE AUTHOR



Richard "Ric" Lance Scow Williams was an associate editor for The Austin Chronicle from 1988-2012. In 2007, his, the secret book of god was chosen by Robert Bonazzi of the San Antonio Express-News as "The Best Book of Poetry by a Poet Living in Texas." He lives in Glorieta, New Mexico, with his wife, astrologer Helga Scow Williams, and two cats, Bat and Mouse. His latest books are Helga (2015) and Jealousy Cured: Cancer & Other Invisible Matters (2016), both from Bite Press. His collaborations with David Jewell are and their latest 52 Pickup: Last Word/First Word: Volume 2 (2017), both also from Bite Press.



For Book Titles On Amazon

Helga, Bite Press, 2015

Last Word/ First Word: Volume 1 BitePress, 2015

Jealousy Cured: Cancer & Other Invisible Matters Bite Press, 2016

secret book of god, 2007

Saturday, April 1, 2017

#NAPOMO #POETRY #GUESTBLOG Featuring Six Poems by POET, TIMOTHY DONOHUE

























SIX POEMS
Timothy Donohue



AT A GRAVEYARD BY AN ORCHARD




We know how

The slight rounding

Of a high corner

Means the headstone

Has memorized the wind


We can raise a yellow-gold apple at dusk

And trace with a cool finger

Where the sunlight sat for hours


We are much more invisible than that

We are a name halved backwards

A thousand times


Living changes lives

Until who we are

And who we were

Are less known

Than what the wind

And sunlight did

The day these bodies

Were covered with earth


We are all energy and invisibility

We are all someone

We can only imagine

DEATH COMES IN THE KITCHEN




Death will come in the window

You thought was locked all these years

The one in the kitchen

The one right above the sink


Death will be tired

And hungry and wanting

A sandwich—all that gravity

Works up a good appetite…


Light from the refrigerator

Unspools on linoleum

Like a break in the clouds

Or a temporary shroud


Death leans into the light

Looking for cold cuts

Spongy white breads and mayonnaise

But you’re too healthy for any of that…

        
So the door closes

And the darkness returns

Until death finds where you’re sleeping

And drags you to your absence

         
Complaining of a certain hunger

LIVES IN A COMA




  1.
Sometimes I wonder
If there was another way,
An ending we might have missed…
It was late morning
It was the end of summer
Cars came infrequently past that motel
A dog barked
Then silence would return,
Coating our lips
And closing our eyes


   2.
We played hooky from real love for so long
We lied about our whereabouts so often
Sometimes we forgot our real names…
Everything outside that room was always boiled
Inside we pulled black curtains
Against the heat and falling bombs
Of sunlight and friends…


  3.
No. There was no other way, no other ending…
It was late morning
It was the end of summer
We hugged so hard
We put our lives in a coma--
And left, in separate cars

INVISIBLE



1.
I stood in line behind a fragrance.
It was you. Your face was invisible,
But it was you.
This was a long time ago.


2.
An electric door kept opening and closing.
Pushing your scent deep inside me,
And urging me to say something clever
To the back of your head.


3.
Inside everyone is a door
They will not open,
And a door they will not close—
Choices must be made.


4.
I should have made you laugh.
Said some nonsense about
Your oolong tea or the candy bar
With the same name as your father

But I remained invisible.

NOTES FROM THE LAST TIME
I SAW FERLINGHETTI

       "there's no there there."                 
            -Gertrude Stein
  Everybody's Autobiography



Weekend-ending. Runway-runaway
Dallas to San Francisco 1:10 a.m.
And where I’m heading it’s 1986,
But it’s still yesterday
So much for the times of our life

I have made a mess of my life
Mixed the mess and painted with it
To outline voices in frames of silence
To take the waiting-for, out of wonder
To hear silence, with new ears

Like a poem, and making
That kind of sense, you left
Ferlinghetti in your Texas college town
And headed to his. You see his motel
Room stuttering, repeating itself in his sleep

Forty-five degrees south by southwest
The machine turned, pointing
A wing at Dallas another
At San Francisco. You hear someone
On the ground pointing a finger
At you. Feathers will fly

 The flight attendant leans over
Picking up a napkin. You use the word
“Callipygian” for the first time out loud
She smiles, looking backwards
She is happily confused. She will be
Your friend in the sky

Baudelaire said he wrote to
“Find the why of it; to transform pleasure
Into knowledge.”  I do it differently
There is so much
I don’t want to know

Between friendship and love
Comes conversational botany
A kind of plant-talk develops
Between a man and a woman
“Nice day.”  “Yes. I was tired of the rain”

“I see that bridge we were on”
Says a boy to his dad in the seat ahead
When you turn, it’s not there anymore
Your lips taste like a woman’s cheekbone
Communication from the neck up


“By definition, the poet must be
An enemy of the State” said Ferlinghetti
Afterward, you drove him to where
He would sleep, perhaps to dream
Against the state of Ramada Inn

Tired and unmemorized
You are up to 30,000 feet
And 36 straight hours
You’re slipping deeper
Into ball turret 36B

A fish turns in your stomach
It hears the desert below you
It hears the cacti and it hears
The coyotes below you.

There’s a “there” there
It’s just that whatever is unclear
Must be so cleared away, it takes the waiting-
For out of wonder.  Like hearing silence
With new ears.  Or seeing Ferlinghetti
Ten hours before arriving where he wasn’t

Thirty years ago


THE PREFERRED EMBRACE



On a sidewalk,
Snow falls between
A man and a woman
Struggling against late December winds---it’s obvious
Their separateness is pre-planned
The snowy gap is precise
And irrevocable.

There is no touching now in these lives.
No looking back, nor at each other.
Just a wobbly march forward,
Into more and more invisibility.

What was the word that sawed them in half?
What failures of desire
Would make falling down,
Alone, under a winter sky,

The preferred embrace.





ABOUT THE AUTHOR

Timothy Donohue’s publications include Invisible ~ Poems And Aphorisms , with an afterword by Laura Kennelly (Mandorla Books, 2016) and Road Frame Window ~A Poetics Of Seeing  (Mandorla Books, 2015), that he coauthored with Dennis Patrick Slattery and Donald Carlson, with an afterword by Stephanie Pope.

A native of Lorain, Ohio, he spent a number of years in Texas, where he received a MA in Creative Writing at the University of Dallas. In a professional career spanning four decades, he spent the first 20 years as a writer, producer and sometimes teacher of print and broadcast advertising in Texas and Ohio. He spent the next 20 years as a managing administrator and Communications Director for non-profits dedicated to providing services to individuals with mental illness, developmental disabilities and chemical dependencies. He realized, over time, that poetry could quit him any time it wanted to; but he couldn’t quit poetry no matter what he did. Recently he founded Donohue Words & Works, LLC, which he describes as a “transfusional place for words on purpose and works on canvas.”


 Visit Timothy Donohue at
donohuewordsandworks.com
 

He can be reached at donohuewordsandworks@gmail.com


BOOKS

Invisible ~ Poems And Aphorisms , with an afterword by Laura Kennelly (Mandorla Books, 2016)
Road Frame Window ~A Poetics Of Seeing  (Mandorla Books, 2015), coauthored with Dennis Patrick Slattery and Donald Carlson, with an afterword by Stephanie Pope.