Showing posts with label poetry month. Show all posts
Showing posts with label poetry month. Show all posts

Saturday, April 1, 2017

#NAPOMO #POETRY #GUESTBLOG Featuring Six Poems by POET, TIMOTHY DONOHUE

























SIX POEMS
Timothy Donohue



AT A GRAVEYARD BY AN ORCHARD




We know how

The slight rounding

Of a high corner

Means the headstone

Has memorized the wind


We can raise a yellow-gold apple at dusk

And trace with a cool finger

Where the sunlight sat for hours


We are much more invisible than that

We are a name halved backwards

A thousand times


Living changes lives

Until who we are

And who we were

Are less known

Than what the wind

And sunlight did

The day these bodies

Were covered with earth


We are all energy and invisibility

We are all someone

We can only imagine

DEATH COMES IN THE KITCHEN




Death will come in the window

You thought was locked all these years

The one in the kitchen

The one right above the sink


Death will be tired

And hungry and wanting

A sandwich—all that gravity

Works up a good appetite…


Light from the refrigerator

Unspools on linoleum

Like a break in the clouds

Or a temporary shroud


Death leans into the light

Looking for cold cuts

Spongy white breads and mayonnaise

But you’re too healthy for any of that…

        
So the door closes

And the darkness returns

Until death finds where you’re sleeping

And drags you to your absence

         
Complaining of a certain hunger

LIVES IN A COMA




  1.
Sometimes I wonder
If there was another way,
An ending we might have missed…
It was late morning
It was the end of summer
Cars came infrequently past that motel
A dog barked
Then silence would return,
Coating our lips
And closing our eyes


   2.
We played hooky from real love for so long
We lied about our whereabouts so often
Sometimes we forgot our real names…
Everything outside that room was always boiled
Inside we pulled black curtains
Against the heat and falling bombs
Of sunlight and friends…


  3.
No. There was no other way, no other ending…
It was late morning
It was the end of summer
We hugged so hard
We put our lives in a coma--
And left, in separate cars

INVISIBLE



1.
I stood in line behind a fragrance.
It was you. Your face was invisible,
But it was you.
This was a long time ago.


2.
An electric door kept opening and closing.
Pushing your scent deep inside me,
And urging me to say something clever
To the back of your head.


3.
Inside everyone is a door
They will not open,
And a door they will not close—
Choices must be made.


4.
I should have made you laugh.
Said some nonsense about
Your oolong tea or the candy bar
With the same name as your father

But I remained invisible.

NOTES FROM THE LAST TIME
I SAW FERLINGHETTI

       "there's no there there."                 
            -Gertrude Stein
  Everybody's Autobiography



Weekend-ending. Runway-runaway
Dallas to San Francisco 1:10 a.m.
And where I’m heading it’s 1986,
But it’s still yesterday
So much for the times of our life

I have made a mess of my life
Mixed the mess and painted with it
To outline voices in frames of silence
To take the waiting-for, out of wonder
To hear silence, with new ears

Like a poem, and making
That kind of sense, you left
Ferlinghetti in your Texas college town
And headed to his. You see his motel
Room stuttering, repeating itself in his sleep

Forty-five degrees south by southwest
The machine turned, pointing
A wing at Dallas another
At San Francisco. You hear someone
On the ground pointing a finger
At you. Feathers will fly

 The flight attendant leans over
Picking up a napkin. You use the word
“Callipygian” for the first time out loud
She smiles, looking backwards
She is happily confused. She will be
Your friend in the sky

Baudelaire said he wrote to
“Find the why of it; to transform pleasure
Into knowledge.”  I do it differently
There is so much
I don’t want to know

Between friendship and love
Comes conversational botany
A kind of plant-talk develops
Between a man and a woman
“Nice day.”  “Yes. I was tired of the rain”

“I see that bridge we were on”
Says a boy to his dad in the seat ahead
When you turn, it’s not there anymore
Your lips taste like a woman’s cheekbone
Communication from the neck up


“By definition, the poet must be
An enemy of the State” said Ferlinghetti
Afterward, you drove him to where
He would sleep, perhaps to dream
Against the state of Ramada Inn

Tired and unmemorized
You are up to 30,000 feet
And 36 straight hours
You’re slipping deeper
Into ball turret 36B

A fish turns in your stomach
It hears the desert below you
It hears the cacti and it hears
The coyotes below you.

There’s a “there” there
It’s just that whatever is unclear
Must be so cleared away, it takes the waiting-
For out of wonder.  Like hearing silence
With new ears.  Or seeing Ferlinghetti
Ten hours before arriving where he wasn’t

Thirty years ago


THE PREFERRED EMBRACE



On a sidewalk,
Snow falls between
A man and a woman
Struggling against late December winds---it’s obvious
Their separateness is pre-planned
The snowy gap is precise
And irrevocable.

There is no touching now in these lives.
No looking back, nor at each other.
Just a wobbly march forward,
Into more and more invisibility.

What was the word that sawed them in half?
What failures of desire
Would make falling down,
Alone, under a winter sky,

The preferred embrace.





ABOUT THE AUTHOR

Timothy Donohue’s publications include Invisible ~ Poems And Aphorisms , with an afterword by Laura Kennelly (Mandorla Books, 2016) and Road Frame Window ~A Poetics Of Seeing  (Mandorla Books, 2015), that he coauthored with Dennis Patrick Slattery and Donald Carlson, with an afterword by Stephanie Pope.

A native of Lorain, Ohio, he spent a number of years in Texas, where he received a MA in Creative Writing at the University of Dallas. In a professional career spanning four decades, he spent the first 20 years as a writer, producer and sometimes teacher of print and broadcast advertising in Texas and Ohio. He spent the next 20 years as a managing administrator and Communications Director for non-profits dedicated to providing services to individuals with mental illness, developmental disabilities and chemical dependencies. He realized, over time, that poetry could quit him any time it wanted to; but he couldn’t quit poetry no matter what he did. Recently he founded Donohue Words & Works, LLC, which he describes as a “transfusional place for words on purpose and works on canvas.”


 Visit Timothy Donohue at
donohuewordsandworks.com
 

He can be reached at donohuewordsandworks@gmail.com


BOOKS

Invisible ~ Poems And Aphorisms , with an afterword by Laura Kennelly (Mandorla Books, 2016)
Road Frame Window ~A Poetics Of Seeing  (Mandorla Books, 2015), coauthored with Dennis Patrick Slattery and Donald Carlson, with an afterword by Stephanie Pope.


Saturday, April 30, 2016

THE DARK POOL #poetrymonth #napomo #napowrimo #mythopo

Carvaggio's "Narcissus" 

























THE MOMENT ONE SEES THE DARK POOL 
There is another story about Narcissus, less popular indeed than the other, but not without some support. It is said that Narcissus had a twin sister... ~Paus. 9.31-8

What is it like, that likeness in the like of which it imitates in you? ~stephanie pope, Like A Woman Falling, p.46


Let nothing
represence ‘we’
understanding even

the oddness of “it” is
how super egoic things
operate in the spirit of times;

always shape an eye
for an “I” to embody
one’s own sensual soul’s

senses of being
in nonbeing
a soul-making


©2016 The WaterMaiden stephaniepope mythopoetry.com


notes
For The archetypal image of the watermaiden in Greek myth. See Perseus, Tufts: Paus. 9.31 7-9

[7] On the summit of Helicon is a small river called the Lamus.2 In the territory of the Thespians is a place called Donacon Reed-bed. Here is the spring of Narcissus. They say that Narcissus looked into this water, and not understanding that he saw his own reflection, unconsciously fell in love with himself, and died of love at the spring. But it is utter stupidity to imagine that a man old enough to fall in love was incapable of distinguishing a man from a man's reflection.

[8] There is another story about Narcissus, less popular indeed than the other, but not without some support. It is said that Narcissus had a twin sister; they were exactly alike in appearance, their hair was the same, they wore similar clothes, and went hunting together. The story goes on that Narcissus fell in love with his sister, and when the girl died, would go to the spring, knowing that it was his reflection that he saw, but in spite of this knowledge finding some relief for his love in imagining that he saw, not his own reflection, but the likeness of his sister.

[9] The flower narcissus grew, in my opinion, before this, if we are to judge by the verses of Pamphos. This poet was born many years before Narcissus the Thespian, and he says that the Maid, the daughter of Demeter, was carried off when she was playing and gathering flowers, and that the flowers by which she was deceived into being carried off were not violets, but the narcissus.



Friday, April 29, 2016

BACK TO BLACK #poetrymonth #napomo #napowrimo #mythopo

Adolf Hirémy-HirschlThe Souls of Acheron (1898)



















TO BE OF USE (Ignorance Is Real)

Can you make no use of nothing, nuncle?
 
~Shakespeare, King Lear, Act 1 Scene 4




I tell you
find your way to black
and you have found your way

between.
Languages of the real
uphold the painful

difference.
This no longer a term
distinct relaying

relation.
Black holds apart
the middle in

and through.
Disappearing into
the design de

sign.
Go with it
a sense of being

no thing.


©2016 What Kastalia Saw (the divine spring)
stephaniepope mythopoetry.com

Saturday, April 23, 2016

WHERE A CAMERA FAILS #poetrymonth

Image and text created by Maxwell Purrington and published to the
Carl Jung Depth Psychology Blog 2-23-15

























WHERE SOUL-MAKING GOES UNSEEN




Beauty draws the eye,
beauty itself
going unseen beautifully;

this being
how divine nature
hides out in the open.


©2016 Deus Absconditus stephaniepope mythopoetry.com













Sunday, April 17, 2016

MAN THE POET #poetrymonth #mythopo

Yago De Quay  in Ad Mortuos, a Brainwave Performance April 26, 2015; 
Ad Mortuos is a collaborative work based on a poem by Stephanie Pope

















WHENCE SOUL’S PROFOUND REALITY

“We have to conclude, therefore,  that civilization is, in its earliest phases, played. It does not come from play like a baby detaching itself from the womb: it arises in and as play, and never leaves it.”
 -Johan Huizinga, Dutch Historian



Homo Ludens, man the player, state of grace
(smoke/pain) . (thunder/them) . (milk/shine) . (undone/forever) repeat forever/remembers[1]

round is the divine play, the ludus amoris, the milky shine/reflection in a state of struggle smoky pain/( his) version of them thundering through his consciousness―a reflection


hippo athanatoi
(struggle/onset )
(absence/repeating)

repeating repeatedly
what seems forever
yet in cessation, an achievement

entropy
a measure
of the number

of specific realizations
(alternating between) or
mythopoesis


©2016 Played Not Playing stephaniepope mythopoetry.com



notes

1. `J. HUIZINGA, Homo Ludens, Routledge & Kegan Paul Ltd, 1955, p. 173
2. Yago De Quay






[1] The line is a subject heading from an email exchange between poets, Richard Lance Scow Williams, David Jewell and myself.

Friday, April 15, 2016

POETRY MONTH #poetrymonth #ohj #mpy







MARCHING PAPERS

Eros harrows my heart: wild gales sweeping …
    ~Sappho, Fragment 42, Michael Burch, trans.





April’s cruelty snatched from me
lines of poetry

no subterfuge, windblown homophone;
no empty wrappers journey alone



©2016 April Is The Cruelest Month stephaniepope mythopoetry.com
#poetrymonth #ohj #mpy